From prop master/prop mistress to performance video operator
15 of the 32 essential skills of a performance video operator are already essential for a prop master/prop mistress — about 47% of the job, before you learn anything new.
These numbers compare two occupations, not you and a job. What you personally already cover depends on what you have actually done.
- 15
- skills carry over
- 17
- would be new
- 47%
- of the target job covered
- 32
- essential skills of a performance video operator
What a performance video operator does
Performance video operators control the (projected) images of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers, operators and performers. Performance video operators prepare media fragments, supervise the setup, steer the technical crew, program the equipment and operate the video system. Their work is based on plans, instructions and other documentation.
What carries over
15 skillsEssential in both jobs. This is the part of the move you have already made.
- adapt to artists' creative demands
- follow safety procedures when working at heights
- organise resources for artistic production
- prepare personal work environment
- prevent fire in a performance environment
- safeguard artistic quality of performance
- translate artistic concepts to technical designs
- understand artistic concepts
- use personal protection equipment
- use technical documentation
- work ergonomically
- work safely with chemicals
- work safely with machines
- work safely with mobile electrical systems under supervision
- work with respect for own safety
What would be new
17 skillsEssential for a performance video operator and not for a prop master/prop mistress. Note that the taxonomy describes activities rather than tools, so some of these may be things you already do under a different name.
- adapt artistic plan to location
- adjust projector
- attend rehearsals
- communicate during show
- consult with stakeholders on implementation of a production
- draw up artistic production
- edit digital moving images
- interpret artistic intentions
- intervene with actions on stage
- keep up with trends
- perform quality control of design during a run
- plan audiovisual recording
- run a media server
- set up equipment in a timely manner
- set up projection equipment
- support a designer in the developing process
- use communication equipment
Other moves from prop master/prop mistress
2 roles- prop maker16 skills in common
- light board operator15 skills in common
← prop master/prop mistressperformance video operator →The other way round
No account needed to start
How far are you from being a performance video operator?
MyNodes reads your CV once, maps it to this same taxonomy, and shows you which roles you are already closest to and the few skills that would open the most doors. The file is deleted as soon as it has been read.